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American film director and producer Steven Allan Spielberg (born December 18, 1946 in Cincinnati, Ohio) is best known for directing and producing a wide range of films, from science-fiction to historical dramas, which have enjoyed unprecedented popularity and critical acclaim, including Close Encounters of the Third Kind, E.T.: The Extra-Terrestrial, Schindler’s List, Saving Private Ryan, and many others. As a teenager, Spielberg received first place at a film competition for Escape to Nowhere, a 40-minute war movie he made in 1962. Firelight (1964), a feature-length science-fiction tale, was followed by an outstanding short film about hitchhikers called Amblin’ (1965), which he directed (1968).
Universal Studios offered a deal to Spielberg after seeing the latter film, which he started working on while attending California State College, Long Beach (now California State University, from which he would eventually receive a B.A. in 2002). Columbo, Marcus Welby M.D. and Owen Marshall: Counselor at Law are just a few of the television shows he has directed episodes for. Of the beginning of the 1970s he created his first television movie called Duel, which was more dramatic than the standard television fare at the time (it was released theatrically in Europe).
The action scenes were arranged and performed with bravado, despite the fact that the movie’s lead, Dennis Weaver, was allowed to register a one-note impression of sweating panic throughout the film. As a result of Duel’s success, Spielberg was able to resume making theatrically distributed films with The Sugarland Express (1974), a chase picture with clever accents of humour, but an inexorable drive toward sadness; it was anchored by the performance of Goldie Hawn. As a result of Jaws (1975), Steven Spielberg became one of the world’s most successful filmmakers. When Roy Scheider was cast as a resort town police chief, he faced off against a man-eating white shark.
Richard Dreyfuss, a marine scientist, and Robert Shaw, a shark hunter, will be appearing with him. The critically acclaimed thriller was nominated for an Academy Award for best film, while John Williams’ eerie music won an Oscar. As a summer blockbuster, the picture established many of Spielberg’s touchstones: an ordinary but likeable main character is enlightened via a meeting with some unusual person or force that progressively exposes itself as the storey progresses. Close Encounters of the Third Kind (1977) was Spielberg’s next film, which he both wrote and directed. An unidentified flying object causes Dreyfuss to become infatuated with UFOs, thus he was cast as the lead and delivered one of his greatest performances.
It was Spielberg’s first Academy Award nomination as a director for this picture. The film’s solitary Academy Award went to Vilmos Zsigmond’s cinematography, however the film’s visual effects were equally lauded. Steven Spielberg has become just the second filmmaker in history to earn $100 million from two consecutive films. Close Encounters of the Third Kind (1977) was Spielberg’s next film, which he both wrote and directed. One of the finest performances of his career, Dreyfuss portrays a telephone lineman who witnesses an unidentified flying object and gets fascinated with UFOs in this movie.
Spielberg was nominated for his first Academy Award for best director for this picture. The film’s solitary Academy Award went to the cinematography of Vilmos Zsigmond, however the film’s special effects were widely lauded. Steven Spielberg has become just the second filmmaker in history to earn $100 million from two consecutive films. Steven Spielberg’s subsequent films became even more popular. An extraterrestrial encounter in E.T.: The Extra-Terrestrial (1982) successfully bypassed the grandiose grandeur of Close Encounters for the microcosmic impact on one California family.
His mother, Dee Wallace, had a heartfelt performance as the mother of the youngster who finds the extraterrestrial and becomes friends with him. Drew Barrymore appeared in one of her first performances in the film. Although the film’s spectacular effects were an important element of its appeal, Spielberg’s understanding of human and alien emotion made it a hit. In addition to Spielberg and the picture, Melissa Mathison’s script, Allen Daviau’s photography, and John Williams’s soundtrack were all nominated for Academy Awards; only the latter won. Steven Spielberg followed up Indiana Jones and the Temple of Doom (1984) with an adaptation of Alice Walker’s Pulitzer Prize-winning book The Color Purple (1986).
An African American woman’s nearly painfully difficult but eventually rewarding existence is the subject of this film. Critics were outraged at Color for downplaying the novel’s lesbian theme, promoting racial stereotypes about black males, and romanticising life in the Deep South. Despite this, it was a hit with critics and audiences alike, who praised the cast, which featured Oscar winners Whoopi Goldberg, Margaret Avery, and Oprah Winfrey, as well as the writing (by Menno Meyjes) and soundtrack (by coproducer Quincy Jones).
The next Spielberg picture will be based on another well-received book. Tom Stoppard’s 1987 play, Empire of the Sun, was a meticulous recreation of J.G. Ballard’s autobiographical novel’s World War II prison camp setting. Empire of the Sun, on the other hand, almost allowed the tale of its teenage protagonist (Christian Bale) drown in a flood of fireworks, like The Color Purple did. It was a flop at the box office. Indy and the Last Crusade (1989) and Always (1989), an adaptation of A Guy Named Joe (1943), were Spielberg’s last films of the 1980s.
In spite of the fact that Indiana Jones was widely popular, he was never able to find an audience. The Color Purple and Empire of the Sun, according to many reviewers, lacked emotional depth or understanding because of Spielberg’s preference for wide narrative. Despite this, Spielberg’s commercialism and positivism dominated Hollywood in the late twentieth century. In 1986, the Academy of Motion Picture Arts and Sciences awarded him the Irving G. Thalberg Award for achievement in producing, in recognition of his enduring impact. Hook (1991), a reimagining of J.M. Barrie’s Peter Pan, was Spielberg’s first picture of the 1990s.
The film was a critical and financial flop, despite a star-studded cast included Robin Williams and Julia Roberts. When it came to 1993, Spielberg had a resurgence of sorts, releasing two critically acclaimed films. Adapted on Michael Crichton’s best-selling book, Jurassic Park tells the storey of an isolated island where dinosaurs have been artificially manufactured and are running rampant.
When it comes to suspense, this film isn’t as well crafted as Jaws, but the utilisation of technology and suspenseful moments show that Spielberg was still a master of Alfred Hitchcock-worthy suspense. Schindler’s List, Spielberg’s second film, was released in 1993 and is based on the actual tale of a group of Polish Jews who were saved from the Nazi death camps by German manufacturer Oskar Schindler. Many of Spielberg’s detractors were calmed by the film, which included strong performances by Liam Neeson, Ben Kingsley, and Ralph Fiennes.
It was filmed in black and white, and Spielberg earned his first Academy Award for best director with this film.. Six additional Oscars, including best picture, were awarded to the film as well. With the help of multimedia moguls Jeffrey Katzenberg and David Geffen, Steven Spielberg founded DreamWorks, a new company that went on to produce such famous animated features as Antz, Shrek, and Puss in Boots, among others (2011).
Viacom purchased the firm from its founders in 2006 for $1.6 billion. The Lost World: Jurassic Park (1997), directed by Spielberg, was not as impressive as Jurassic Park, but movie nevertheless had its moments. Jurassic Park III, which is based on a best-selling 1995 novel by Crichton, has a new cast, including Julianne Moore and Vince Vaughn, as well as a returnee, Jeff Goldblum, who plays a scientist who knows this manipulation of nature for profit is both crass and morally indefensible. This time, the film is directed by Steven Spielberg, who reportedly wrote the book at the behest of Crichton.
Thrills abound, and the dinosaur special effects are just as impressive as in the last movies. Amistad (1997) was Spielberg’s first foray into the realm of social history. It is about the 1839 slave uprising onboard the Amistad, which took place in Spain, and the following trial in the United States for insurrection on the high seas, which resulted in the slaves being deemed abduction victims by the court.
An Academy Award nomination went to Anthony Hopkins for his performance as John Quincy Adams, the former president of the United States, who is called upon to defend the slaves before the Supreme Court. Djimon Hounsou made an impression as the African chieftain Cinque. The picture was praised by critics, but its box office performance was disappointing.
Saving Private Ryan marked Spielberg’s comeback to World War II in 1998. Acclaimed and derided by critics alike, the film is one of the best examples of cinematography that Hollywood has ever produced. The 27-minute-long opening sequence depicting the D-Day assault by American forces at Omaha Beach is particularly noteworthy.
That terrifying scenario is followed by a more traditional plot in which a group of troops searches for a paratrooper called Ryan in order to rescue him from battle before he is killed, like his three brothers were just moments before. With Tom Hanks as Captain John Miller, Matt Damon as Matt Damon, Tom Sizemore as Edward Burns, Barry Pepper as Barry Pepper and Giovanni Ribisi as Giovanni Ribisi in the supporting cast.
SPOILER ALERT: Spielberg won his second Academy Award as best director for Saving Private Ryan, which had 11 Oscar nominations. There were no other films released that year that did as well financially as this one did.
| Steven Spielberg phone number , Email ID, Website | |
|---|---|
| Phone Number | (818) 695-5000 |
| House address (residence address) | Hamilton, Canada |
| Official Website | NA |
| Snapchat Id | NA |
| Whatsapp No. | NA |
| https://www.instagram.com/stevenspielbergfans | |
| https://www.facebook.com/ | |
| Twitch | NA |
| https://twitter.com/sspielberg93 | |
| TicTok Id | NA |
| Email Address | NA |
| Office address | NA |
| Office Number | NA |
Steven Spielberg
DreamWorks Animation, Llc.
1000 Flower Street
Glendale, CA 91201
USA
Steven Spielberg Phone Number 2021- This post contains a phone number, house address, Fan mailing address to request autographs, and send fan mail letters to Steven Spielberg. If you want to get an autograph from Steven Spielberg you can send your handwritten letter to the above address (with a size of 8.5 x 4 inches.) Please wait up to 3 months. If there is no reply, resend your letter or exchange it with another address.
How can you send a celeb fan mail or a signature request?
Follow the instructions and criteria below to request an autograph from your favorite celebrities by sending a fan mail.
1st step
If you live in the United Kingdom or the United States, include your request letter, a photo or poster, and a properly stamped and self-addressed envelope.
(Envelopes should be 8.5″ x 4″ in size.)
2nd Step
If you do not live in the United Kingdom, you must purchase a British stamp.
3rd step
You can include a piece of cardboard to keep the photo from bending during mailing by writing “Do Not Bend” above the envelope sent.
4th step
Send your letter to your favorite celebrity at the mentioned address and wait.
5th step
Responses sometimes take a long time to arrive. An answer would take three to five months on average, or perhaps longer.
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