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In 1962, he joined the BBC as a trainee set designer, working on several high-profile seriesof Judgement (1965). More TV work followed until, dissatisfied with the BBC’s low pay, he moved into advertising. In 1967, he co-founded the advertising production company RSA (Ridley Scott Associates) with his younger brother, Tony Scott, and spent the next ten years creating some of the mosIn the 1970s, he began developing ideas for feature films with producer David Puttnam.
Their first collaboration, The Duellists (1977), won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d’Or, effectively launching Scott’s feature film career. The success of Star Wars: Episode IV – A New Hope (1977) piqued Scott’s interest in science fiction, and he accepted the offer to direct Dan O’Bannon’s low-budget science fiction horror film Alien (1979), a critical and commercial success that cemented his worldwide reputation as a film director. Blade Runner (1982) was released in 1982 to a lukewarm reception from the public and critics, but in the years that followed,
Its reputation grew – and Scott’s with it – as one of the most important sci-fi films ever made. n 2018, he received the BAFTA Fellowship. BAFTA described him as “a visionary director, one of the great British film-makers whose work has left an indelible mark on cinema history Forty years after his directorial debut, his films continue to push the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent.
He usually casts/works with actors who have a strong theatre background and are drama school graduates. He also likes to be personally involved in the casting of his films. He is regarded as the “Father of the Director’s Cut.” Scott was one of the first directors to re-release a director’s cut in theatres, and the success of his new version of Blade Runner (1982) popularised the concept among directors and audiences. Scott has released many more director’s cuts or extended versions of his films since then, mostly on DVD / BluRay. He doesn’t use wide lenses very often; instead, he prefers longer focal lengths
He frequently uses a light blue tint to contrast black silhouettes, as seen in G.I. Jane (1997), Gladiator (2000), Black Hawk Down (2001), Matchstick Men (2003), and Kingdom of Heaven (2004). (2005). When displaying graphic violence, he prefers to use brief shots that cut away quickly. During action scenes, he frequently uses fast shutter speeds. Main characters are frequently on a mission; adventurers; in a foreign land that turns hostile; or they are challenged to adapt to the circumstances. Frequently casts Michael Fassbender, Adam Driver, and Jodie Com
Black Hawk Down (2001) was dedicated to his brother Frank, The Counselor (2013) and Exodus: Gods and Kings (2014) were dedicated to his mother, and The Counselor (2013) and Exodus: Gods and Kings (2014) were dedicated to his brother TonyOver half of the professional actors he has hired / worked with for his films have come from elite drama schools and the theatre, such as the Royal Shakespeare Company in Stratford Upon Avon, The Globe Theatre,
The Old Vic, and the National Theatre in London, which he believes brings as much presence to the screen as the actors do to the stage. He and Michael Mann have both directed Hannibal Lecter films. They have also collaborated frequently with an actor who has played Jack Crawford. Mann directed Dennis Farina’s first film, Thief (1981), and also cast him in Miami Vice (1984). Scott cast Harvey Keitel in The Duellists (1977) and Thelma & Louise (1979). (1991). Viggo Mortensen, who played the part in Peter Jackson’s live-action adaptation, appeared in G.I. Jane (1997).
His first feature film, The Duellists (1977), is based on a storey by Joseph Conrad. In his next film, Alien (1979), the spaceship was called the Nostromo, and the escape ship was called the Narcissus. Both names are taken from Conrad’s stories. 2005: Ranked in Empire (UK) magazine’s list of “The Greatest Directors Ever!” In 2005, he was ranked on Premiere magazine’s Power 50 list. In 2004, she was ranked 32nd. He was a contributor to the college magazine ARK while at the Royal College of Art.
He also assisted in the establishment of the school’s film studies department. In 1994, he was set to direct “Hot Zone” from a screenplay by James V. Hart, based on Richard Preston’s 1992 New Yorker article “Crisis in the Hot Zone.” The film, which starred Robert Redford and Jodie Foster, was based on the true storey of the discovery of the deadly Ebola virus. Scott’s regular collaborators on the film included cinematographer Hugh Johnson and production designer Ken Davis.
Suffers from claustrophobia, which he actively sought to instil in his Alien (1979) cast by making their Nostromo living quarters as cramped as possible. Coming from an army and fine arts background, he is an inveterate stickler for detail who approaches each film project with the zeal of a general with a battle plan. On the set of Alien (1979), his obsessive attention to detail led Sigourney Weaver to complain that he cared more about his props and sets than he did about his cast.
He splits his time between his homes in Hampstead (UK), France, and Los Angeles. He, like his brother Tony Scott, enjoys smoking Montecristo Cuban cigars. In late 2005, he was preparing to direct “The Invisible World,” based on a screenplay by Dana Stevens and a treatment by Washington Post correspondent David Ignatius. Angelina Jolie was to star in the film, which was based on the kidnapping of a female journalist in Iraq. However, Jolie’s pregnancy at the time halted production, putting the project on hold entirely. This unexpected gap in Scott’s schedule allowed him to direct American Gangster (2007) the following year.
In the 2008 Telegraph list of “the 100 most powerful people in British culture,” he was ranked . Geena Davis, Susan Sarandon, Russell Crowe, Joaquin Phoenix, Ruby Dee, Matt Damon, and Christopher Plummer were among the seven Oscar-nominated actors he directeApple paid an estimated $1 million for the one-time telecast of the commercial during Super Bowl XVIII, in which the Los Angeles Raiders defeated the Washington Redskins 38-9.
Scott estimated that the commercial would cost around $350,000 to produce. According to the 2009 Sunday Times Rich List, his net worth is $172 million. With Felicity Heywood, he is the father of Jake Scott and Luke Scott. As a producer and director, he is frequently involved in historical projects, such as The Duellists (1977), 1492: Conquest of Paradise (1992), Gladiator (2000), and The Pillars of the Earth (2010).
| Ridley Scott phone number , Email ID, Website | |
|---|---|
| Phone Number | +44 (0) 20 7437 7426 |
| House address (residence address) | RSA Films (Production Company) 42 — 44 Beak Street London W1F 9RH UK |
| Official Website | NA |
| Snapchat Id | NA |
| Whatsapp No. | NA |
| https://www.instagram.com/ridleyscottcg/ | |
| https://www.facebook.com/PenelopeCruzOfficia | |
| Twitch | NA |
| https://twitter.com/sir_ridleyscott?lang=en | |
| TicTok Id | NA |
| Email Address | NA |
| Office address | NA |
| Office Number | NA |
Ridley Scott
RSA Films
42 — 44 Beak Street
London W1F 9RH
UK
Ridley Scott email letters to Ridley Scott . If you want to get an autograph from Ridley Scott , you can send your handwritten letter to the above address (with a size of 8.5 x 4 inches.) Please wait up to 3 months. If there is no reply, resend your letter or exchange it with another address.
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4th step
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