Guns N’ Roses Phone Number, Fanmail Address, Email Id and Contact Detailsan

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Bio

It was Guns N’ Roses that brought raw, obnoxious rock and roll smashing back into the charts at a period when dance music and pop-metal were dominating the airwaves. Nice lads don’t play rock & roll, and they certainly weren’t these gentlemen. Despite the fact that they were physically intimidating, sexist, and aggressive, as seen by their breakout song, “Sweet Child O’ Mine,” they were also witty, vulnerable, and sometimes compassionate. While Slash and Izzy Stradlin viciously spewed forth duelling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screamed out his stories of sex, drugs, and indifference in the big city, accompanied by a slew of other musicians.

Throughout, bassist Duff McKagan and drummer Steven Adler provided a supple rhythm section that let the song to remain fluid and strong. Throughout their career, Guns N’ Roses’ music was straightforward and gritty with a strong, hard, bluesy foundation; they were dark, sleazy, nasty, and honest — everything a decent hard rock and heavy metal band should be. One of the most pleasant things about the band was that they were capable of inciting everything from adoration to hate, particularly since both sides were equally correct. For years, there had not been a hard rock band as raw and brilliant as this one, and Rose’s primal wrath, the sound of confused, angry white trash fighting for a piece of the pie, gave them even more weight. The band was one of the most exciting around as the ’80s turned into the ’90s, but because of internal conflict and the development of alternative rock, Rose’s supporting cast finally quit, and he spent more than 15 years recording until the long-awaited Chinese Democracy was released in 2008.

It was in 1986 that Guns N’ Roses issued their first EP, which resulted in the signing of a recording deal with Geffen Records. The following year, the band released its first album, Appetite for Destruction. They began to create a fan base as a result of their frequent live performances, but the album didn’t begin to sell until almost a year later, when MTV began playing “Sweet Child O’ Mine” on its rotation. Soon after, both the album and the song reached number one on the charts, and Guns N’ Roses established themselves as one of the most popular bands on the planet. When their first song, “Welcome to the Jungle,” was re-released, it rocketed into the Top Ten, and their second hit, “Paradise City,” followed in the footsteps of the first. To close out 1988, they published G N’ R Lies, which included four new acoustic songs (including the Top Five smash “Patience”) and their first EP, as well as their debut album. As the album’s provocative conclusion, “One in a Million,” Rose fell into sexism, racism, and outright violence; basically, he managed to compress every type of prejudice and hate into a single five-minute song, igniting widespread controversy.

End of 1990 marked the beginning of the long-awaited follow-up to Appetite for Destruction, with Guns N’ Roses beginning production on the album. That same year, the band sacked Adler, stating that his drug use had led him to perform badly; he was replaced by Matt Sorum, formerly of the Cult, who took over for him. During the recording process, the band recruited keyboardist Dizzy Reed. By the time the recording sessions were over, the new album had morphed into two separate albums. The albums Use Your Illusion I and Use Your Illusion II were released in September 1991, over a year after their initial release date was postponed.

While still containing a fair number of full-throttle guitar rockers, the albums also contained forays into Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute art rock epics with several different sections, as well as a fair number of introspective and soul-searching lyrics. In a nutshell, they were suddenly creating art, and, astonishingly, they were succeeding at it. At first, the albums did very well in terms of sales, but although it seemed that they would set the tone for the rest of the decade, this turned out not to be the case at all.

Nevermind by Nirvana reached number one on the Billboard charts in early 1992, instantly making Guns N’ Roses — with all of their pretensions, impressionistic visuals, models, and rock star indulgences — seem very uncool. After the transition, Rose took on the role of tyrant, or at the very least of dictator; his rage outbursts at concerts were legendary, even going so far as to cause a riot at the Montreal Forum.

Stradlin departed the band before the end of 1991, and with his departure, the band lost its finest composer; he was replaced by Gilby Clarke, a former Kills for Thrills guitarist who had previously worked with the band. Until 1993, when GNR released The Spaghetti Incident?, an album of punk covers, the band didn’t fully grasp the shift in hard rock. Although the album received positive reviews, the band failed to capture the reckless spirit of not only the original versions, but also the band’s own Appetite for Destruction. By the middle of 1994, there were reports circulating that GNR were on the verge of disbanding, as Rose wanted to take the band in a new, more industrial direction while Slash desired to keep the band’s blues-inflected hard rock approach. Following a few more years of inactivity, Slash emerged in 1995 with the side project Slash’s Snakepit and an album titled It’s Five O’Clock Somewhere, which was released in 1995.

Rose chose to stay out of the limelight, becoming a virtual hermit and spending his time tinkering in the studio; he also enlisted the help of numerous musicians, including Dave Navarro, Tommy Stinson, and ex-Nine Inch Nails guitarist Robin Finck, to participate in informal jam sessions. Angry by Rose’s inclusion of childhood friend Paul Huge in the new sessions while both Stradlin and Clarke were barred from rejoining the group, the other members demanded that she resign. Rose’s unilateral decision to clip out parts of the other members’ contributions and plaster Huge over the song, without consulting anyone else, was effectively the straw that broke the camel’s head. After Slash left the band in 1996, Rose was the only surviving member from Guns N’ Roses’ glory days. Rumors persisted, and no new material was released, though Rose did re-record Appetite for Destruction with a new lineup to use as a practise track. It took eight years, but the industrial metal tune “Oh My God” from the 1999 Arnold Schwarzenegger film End of Days was eventually released on the soundtrack. It was the first new original GNR song in eight years. Shortly later, Geffen released the two-disc Live Era: ’87-’93 collection.

Phone Number	(310) 867-7000.
Contact address (residence address)	Westlake Village’s guard-gated North Ranch Country
Fanmail Address	Guns N’ Roses, Live Nation Entertainment, Inc., 9348 Civic Center Drive, Beverly Hills, CA 90210, USA
Manager / Booking Agent	It Will be updated soon
Whatsapp Number	Not Available
Instagram Handle	https://www.instagram.com/greenday/
Facebook Handle	https://www.facebook.com/GreenDay/
Twitch Profile	NA
Twitter Profile	https://twitter.com/Greenday
TikTok Profile	NA

Guns N’ Roses Fanmail Address

Guns N’ Roses, Live Nation Entertainment,

Inc., 9348 Civic Center Drive

, Beverly Hills,

CA 90210, USA

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Guns N’ Roses Phone Number 2021- This post contains a phone number, house address, Fan mailing address to request autographs, and send fan mail letters to Guns N’ Roses. If you want to get an autograph from Guns N’ Roses, you can send your handwritten letter to the above address (with a size of 8.5 x 4 inches.)  Please wait up to 3 months. If there is no reply, resend your letter or exchange it with another address.

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