Want to talk to Mark Bradford over the phone number and look for Mark Bradford’s email and fanmail address? Yes, you are in the right place! You will get the contact information of Mark Bradford’s phone number, email address, and fan mail address details.
Mark Bradford is a modern artist who was born in Los Angeles in 1961. Mark Bradford is most well-known for his large-scale abstract paintings made out of paper. The work of Bradford investigates social and political mechanisms that objectify marginalized communities and the bodies of vulnerable populations. Bradford’s work is distinguished by the rich formal, material, and conceptual complexity it possesses. A social engagement approach is just as crucial to Bradford’s body of work. Through this practice, he reframes objectifying societal processes by bringing modern art and ideas into communities that have limited access to museums and other cultural institutions.
Bradford has developed his own distinctive visual language by utilizing commonplace materials and instruments that may be found in the aisles of a hardware store. Bradford’s work, which is commonly referred to as social abstraction,’ derives from his notion that all materials and procedures are loaded with meaning that predates their artistic utility. This understanding is the basis of his work. His signature style evolved from his early experimentation with endpapers, which are small, translucent tissue papers used in hairdressing.
Since then, he has experimented with other types of paper, such as maps, billboards, movie posters, comic books, and so-called “merchant posters,” which advertise predatory services in economically depressed neighborhoods. Mark Bradford creates art out of the waste elements of urban life, which are frequently the relics of informal economic systems that have developed in the inner city out of need. Bradford, who came from a family of barbers and stylists, spent his childhood in Los Angeles. From an early stage on, he made use of the resources that could be located in and near hair salons. These resources included the paper rectangles that are used for permanents, bobby pins, and hair dyes.
Printmaking and collage were two of his primary artistic interests, but over time he expanded his practice to incorporate film, installation, and photography in addition to those mediums. This is how Bradford explains the inspiration behind his work: “Think about all the white noise out there in the streets: all the beepers and blaring culture—cell phones, amps, chromed-out wheels, and synthesizers.” I get a lot of that energy from the posters, which serve as a remembrance of things that have been posted and things that have happened in the past. You can remove the different layers of the papers, and doing so is similar to reading the signs on the streets.
Bradford creates a subtle grid in his work a.k.a. Gwen, which dates from 2005–2006. This grid is reminiscent of the dynamic and frequently chaotic topology of a city map. The work is comprised of beauty salon tissue paper, handbills, and advertisements for employment, lawyers, and other services that were displayed in the communities surrounding Bradford’s studio in South Central Los Angeles. Instead of fine pencil work or precise painting on a formal modernist grid, the piece is made from these materials. Throughout the process of applying these materials, Bradford engages in a variety of physical interactions with the work, including sanding, tearing, bleaching, and weathering the surface.
The ephemeral materials used by Bradford not only become covered in the dirt and grime that accumulates on outdoor signs and billboards, but they also reflect their transient nature as things that transform in response to the need of the people who use them. Bradford has referenced the following passage from Michel Laguerre’s book The Informal City while explaining his own activity: “The informal arena provides a hidden space where one can stand to read the city as a social laboratory of everyday practice.” The artistry that Bradford does is intrinsically bound up with his own background and experiences.
He was the only child in his family and relocated to Santa Monica when he was 11 years old. He spent most of his formative years working as an assistant in his mother’s hair salon, which was called Foxy Hair and was located in the Leimert Park neighborhood of Los Angeles. After graduating from high school, he went on to get his license as a hairdresser and began working at the salon that his mother owned.
In addition to his work as an artist, Bradford was one of the three individuals who, in 2014, established the non-profit venue Art + Practice. The other two founders were social activist Allan DiCastro and collector Eileen Harris Norton. The goal of the space is to operate as an institution of modern art for its community while also providing art instruction for children who are in the foster care system. Events and exhibitions will be held in the space. Mark Bradford creates huge works of abstract art by excavating and layering heaps of paper. His mediums range from billboards and posters to stenciled graffiti, and his work incorporates not just the concepts of modernist composition but also aspects of urban streets and buildings.
His materials include both. For instance, Piet Mondrian’s Broadway Boogie Woogie is referenced in the work Kryptonite, which consists of a dense grid of collaged materials. This grid conjures up images of an overhead perspective of a city as well as classic works of art. The ambitious and visually striking works of Bradford frequently evoke both physical maps and the human body. There is text included in some artworks. The artist has also created works of art for public display, including installations, sculptures, and videos.
These works frequently investigate the relationship between high art and popular culture, as well as the interaction between materiality, surface, and image. Bradford has been honored with the Bucksbaum Award bestowed by the Whitney Museum of American Art and was selected as a MacArthur Fellow in the year 2009. In 2018, his painting “Helter Skelter I” achieved the highest price ever paid at auction for a work by a living African American artist when it sold for about $12 million.
|Mark Bradford’s Phone Number, Fanmail Address, Email Id, and Contact Details|
|Whatsapp No.||(410) 594-0978|
|Phone Number||(410) 594-0978|
|Office Number||(410) 594-0978|
|House address (Residence address)||Los Angeles, California, United States|
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Mark Bradford Phone Number 2023- This post contains a phone number, house address, and Fan mailing address to request autographs and send fan mail letters to Mark Bradford. If you want to get an autograph from Mark Bradford, you can send your handwritten letter to the above address (with a size of 8.5 x 4 inches.) Please wait up to 3 months. If there is no reply, resend your letter or exchange it with another address.
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