Want to talk to Jenna Wortham over the phone number and look for Jenna Wortham’s email and fanmail address? Yes, you are in the right place! You will get the contact information of Jenna Wortham’s phone number, email address, and fan mail address details.
Jenna Wortham was born on 4 November 1982. In the United States, Jenna Wortham is an accomplished journalist who is highly known. They co-host the podcast Still Processing with Wesley Morris for The New York Times in addition to their job as a culture journalist for The New York Times Magazine. Both of these jobs are for The New York Times. In the year 2020, Kimberly Drew and Wortham compiled a collection of creative works by black artists and writers under the title Black Futures, and Wortham was one of the editors of that collection. The beginning of Wortham’s career in journalism was spent in San Francisco, where they worked as a freelance journalist. After that, they found employment at Wired, where they remained until being recruited by the Times in the year 2008.
Wortham was born in Alexandria, Virginia, and went on to receive his degree in medical anthropology from the University of Virginia after spending his youth there. 2004 was the year they were awarded their diploma. After receiving their bachelor’s degree, Wortham moved to San Francisco and began working as a writer for SFist in addition to holding internships at local publications such as San Francisco Magazine and Girlfriend Magazine.
In the end, Wortham was able to secure employment with Wired as a technology and culture correspondent. They began working as a correspondent for The New York Times in 2008, covering topics related to technology and business. In 2014, they moved on to The Times Magazine. In 2008, they began working as a correspondent for The New York Times, covering topics related to technology and business.
Wortham’s work has been showcased in a wide range of publications, some of which include but are not limited to Matter, The Awl, Bust, The Hairpin, Vogue, The Morning News, and The Fader. They have been described by Pi.co as “one of those rare writers who is able to explain the shapeshifting culture of the younger and newer internet.” In the year 2012, Wortham was recognized by his peers by being included on the esteemed Root 100 list.
Not only has Wortham been praised for its reporting on technology advancements, but it has also been praised for its astute analysis of a wide range of cultural concerns. A shining article for Lemonade prompted Beyoncé to send the author a thank-you email, which she signed “Love, Beyoncé,” as well as a gram from Wortham. A number of additional topics, such as LGBT identity and the interaction of race and gender in television, have been investigated in Wortham’s literature.
Diamond Sharp praised Wortham for their “incisive writing and the kind manner in which inside the world. (They) is, without hyperbole, one of the most important minds working in media.” This acclaim was included in Rookie’s publication. The writing of Wortham can be found, for example, in the collections “Never Can Say Goodbye: Writers on Their Unwavering Love for New York” and “An Experience Absolutely Worth Supposedly Having: Travel Tales from The Hairpin”, both of which were published in 2014 and 2013, respectively. Wortham directed the editing of a collection of work named Black Futures, which was published in December 2020 by the One World imprint of Random House. Along with Kimberly Drew, Wortham was responsible for the book’s editing.
Wortham is now working on a collection of articles he plans to call Work of Body. This collection of essays explores “formative experiences as a queer Black person, against the backdrop of technology and the greater history of Black bodies in America.” Penguin Press is going to be the one to publish “Work of Body.” In 2017, the Zora Neale Hurston Fellow program was introduced at the Jack Jones Literary Arts retreat for the first time. Wortham participated in this program. They were presented with a MacDowell Fellowship in 2018, an honor bestowed upon them by the illustrious MacDowell Colony. In the year 2020, the Kelly Writers House bestowed fellowships on both Wortham and Morris in recognition of their achievements.
The New York Times and an up-and-coming podcasting company known as Pineapple Street Media collaborated to make the podcast. The premiere episode of the show was praised by viewers as having “an incredible mix” and “refreshing” qualities, and it was subsequently featured on “best of” lists that were created at the end of the year by publications such as The Atlantic, The Huffington Post, and IndieWire. In the year 2020, the podcast was put forth for consideration for a magazine award presented by the American Society of Magazine Editors.
|Jenna Wortham Phone Number, Fanmail Address, Email Id, and Contact Details|
|House address (Residence address)||United States|
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Jenna Wortham Phone Number 2023- This post contains a phone number, house address, and Fan mailing address to request autographs and send fan mail letters to Jenna Wortham. If you want to get an autograph from Jenna Wortham, you can send your handwritten letter to the above address (with a size of 8.5 x 4 inches.) Please wait up to 3 months. If there is no reply, resend your letter or exchange it with another address.
How can you send a celeb fan mail or a signature request?
Follow the instructions and criteria below to request an autograph from your favorite celebrities by sending a fan mail.
If you live in the United Kingdom or the United States, include your request letter, a photo or poster, and a properly stamped and self-addressed envelope.
(Envelopes should be 8.5″ x 4″ in size.)
You must purchase a British stamp if you do not live in the United Kingdom.
You can include a piece of cardboard to keep the photo from bending during mailing by writing “Do Not Bend” above the envelope sent.
Send your letter to your favorite celebrity at the mentioned address and wait.
Responses sometimes take a long time to arrive. An answer would take three to five months on average or perhaps longer.
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